Christ the Redeemer
Right next door: the Corcovado train leaves from Cosme Velho, a short walk from Mirante, and climbs through the forest to the 1931 statue, 710 meters up.
Mirante’s guide
The city’s classics, picked for guests staying in Laranjeiras: from samba circles to forest trails, from the beach to gilded Baroque.
6 places
Rio’s great symbols — and some of them are very close to Laranjeiras.
Right next door: the Corcovado train leaves from Cosme Velho, a short walk from Mirante, and climbs through the forest to the 1931 statue, 710 meters up.
The 1912 cable car climbs in two stages to the summit, with views of the bay, Copacabana and Christ the Redeemer. Sunset is the most sought-after moment.
The neighboring hill of mansions, studios and lookouts — and of the yellow tram that has crossed the Lapa Arches since 1896.
215 steps covered in thousands of tiles from dozens of countries — the life’s work of Chilean artist Jorge Selarón.
Free and less known: facing Sugarloaf and Botafogo Bay, with Christ the Redeemer right above.
A 1903 Asian-style pavilion in the middle of the forest, with the Lagoon, Christ the Redeemer and the ocean below.
9 places
Rio heads out into the streets at night: samba and choro circles, bars and live-music venues.
The heart of Rio’s bohemian life since the early 20th century. On Friday and Saturday nights the streets around the Arches fill up, and the venues on Rua do Lavradio and Rua Joaquim Silva play samba, choro and forró.
A mansion on Rua do Lavradio packed with thousands of antiques, now one of Lapa’s best-known samba and choro venues.
The concert tent beside the Arches since 1982: a historic stage for Brazilian rock and parties of every style.
Bars with a view, live music and an artists’-village feel at the top of the hill, where the tram passes by.
Right next door. The leafy square, with its bandstand and bars all around, is Laranjeiras’ meeting point — and on some days it hosts choro and samba circles.
Just around the corner: a Saturday market with food stalls, pastel and, usually, live chorinho.
The low bayside wall where Rio gathers in the late afternoon, with beer and codfish fritters from Bar Urca, open since 1939, and the sunset over the cove.
The cradle of bossa nova on Rua Duvivier, where tiny clubs saw Elis Regina, Jorge Ben and many others at the start of their careers.
Colonial lanes by Praça XV that turn into an after-work meeting spot, with tables out on the sidewalk.
5 places
Samba was born in Rio, in the backyards of “Little Africa”, and today lives in samba-school halls, street circles and the Sambadrome.
A symbol of “Little Africa”, where Pixinguinha, Donga and João da Baiana used to meet. Listed as heritage in 1984, it hosts open-air samba circles, usually on Monday and Friday nights.
From the port district to Praça Onze lived the Bahian “aunties” who opened their homes to music. In Tia Ciata’s backyard “Pelo Telefone” was born — registered by Donga in 1916 and considered the first recorded samba.
Designed by Oscar Niemeyer and opened in 1984, it hosts the samba schools’ Carnival parades in front of tens of thousands of people.
In the months before Carnival, the top-league schools open their halls to rehearse the samba they will take to the Sambadrome — the best way to feel the drums up close.
During street Carnival, hundreds of blocos take over the city. The oldest, Cordão da Bola Preta, has paraded Downtown since 1918; in Santa Teresa, look for the Bloco das Carmelitas.
6 places
Each beach has its own personality. Bring only what you need, wear sunscreen and check water quality on the Inea website.
The world’s most famous 4 km of sand, with Burle Marx’s wave promenade, beach kiosks and the Fort at the far end.
The quietest stretch, at the start of Copacabana. The Caminho dos Pescadores (Fishermen’s Path) runs around the hill by the sea.
Between Copacabana and Ipanema. In the late afternoon everyone climbs the rock to watch the sunset — and applauds when it disappears.
The beach of bossa nova, with the Dois Irmãos hills behind it. Each lifeguard post has its own crowd; Posto 9 is the most famous.
Ipanema’s continuation, more family-friendly, with the Mirante do Leblon lookout at the end of the beachfront.
Small and calm, at the foot of Sugarloaf, right next to the cable car station.
8 places
One of the world’s largest urban forests, trails with stunning views and waterfalls minutes from the city.
Trails, lookouts and waterfalls in a forest replanted in the 19th century. Pico da Tijuca, just over 1,000 meters high, is the highest point of the range.
The Cascatinha Taunay is right by the road; other falls, such as the Cachoeira das Almas, are short walks away. Bring water and go in the morning.
Founded by King João VI in 1808, with the famous avenue of imperial palms planted in 1842, an orchid house and some 6,500 species.
A 1920s mansion with a courtyard pool and Christ the Redeemer above, at the foot of Corcovado. A steep trail to the statue starts here — best done with a guide.
Pedra Bonita has a short trail and the hang-gliding ramp over São Conrado; Pedra da Gávea (844 m) is one of the city’s most challenging hikes.
A short, steep trail that starts in Vidigal and ends at one of the best views of Ipanema and the Lagoon.
A lagoon ringed by mountains, with a cycle path of about 7.5 km, kiosks and pedal boats.
A bayside park opened in 1965, landscaped by Burle Marx: great for walking and cycling with a view of Sugarloaf.
5 places
Classic spots, markets and the street flavors every carioca knows.
Founded in 1894, with mirrors brought from Antwerp and art nouveau salons. Coffee and Portuguese pastries here are a trip back to the Belle Époque. There is a branch at Copacabana Fort.
Rio’s largest street market, held every Sunday on Avenida Augusto Severo for more than a century: fruit, fish and flowers, pastel with sugarcane juice, immigrant cooking and samba circles.
Brazil’s Northeast in Rio since 1945: regional food, forró and improvised repente songs at the Luiz Gonzaga Center of Northeastern Traditions.
The former Bar Veloso where, as the story goes, Tom Jobim and Vinicius de Moraes watched the young woman who inspired “The Girl from Ipanema” (1962) walk by.
Feijoada on Saturdays, fresh juice on every corner, açaí, market pastel and, on the sand, iced mate with Globo biscuits — everyday Rio classics.
9 places
Museums, libraries and theaters that tell the story of Rio and Brazil.
One of the world’s most beautiful libraries: a Neo-Manueline reading room opened in 1887 and some 350,000 volumes — the largest collection of Portuguese works outside Portugal.
Opened in 1909 and inspired by the Paris Opera. Catch a performance or take the guided tour.
Born from the royal library brought over by King João VI, it is the largest in Latin America. Its 1910 building stands on Cinelândia square.
A science museum designed by Santiago Calatrava, opened in 2015 in the revitalized port area.
Across from the Museum of Tomorrow, it tells Rio’s story through art; its rooftop looks out over the bay.
One of the main collections of 19th- and 20th-century Brazilian art, a few steps from the Theatro Municipal.
Exhibitions, cinema and theater in a historic Downtown building — often home to the city’s most popular shows.
A modernist house with Burle Marx gardens and one of Brazil’s great photography collections — the source of several old photos on this site.
Every Sunday since the late 1960s: crafts, art and food on Praça General Osório.
7 places
Brazil’s capital for almost two centuries, Rio holds traces of the colony, the Empire and the Republic.
Home of the colonial governors, then palace of King João VI and the emperors. Pedro I declared he would stay in Brazil here (1822) and Princess Isabel signed the abolition of slavery (1888). Today it is a cultural center.
Seat of the Presidency from 1897 to 1960, where Getúlio Vargas died in 1954. The gardens are open to the public — a few minutes from here.
The main landing wharf for enslaved Africans in the Americas: between 500,000 and one million people arrived here from 1811 to 1831. A UNESCO World Heritage Site since 2017.
A small neo-Gothic castle in the bay, stage of the Empire’s last ball in November 1889, days before the Republic was proclaimed. The Navy runs boat visits.
Colonial-style houses beside the Carioca River in neighboring Cosme Velho — close to the Corcovado train station.
Marks the spot where Estácio de Sá founded the city in 1565, between Sugarloaf and Cara de Cão Hill.
Brazil’s history told in a complex of colonial buildings near Praça XV.
7 places
From gilded Baroque to modernism: art, architecture and faith.
One of Brazil’s Baroque masterpieces, its interior covered in gilded carving. The Sunday morning mass with Gregorian chant is famous.
A Baroque jewel from 1739 on a hilltop above the bay, lined with Portuguese tiles. Members of the imperial family were baptized here.
An early-17th-century Franciscan complex above Largo da Carioca; the church of the Third Order has one of the most stunning gilded interiors in Brazil.
An imposing church built from 1775 onward, with a monumental dome, at the head of Avenida Presidente Vargas.
A 75-meter concrete cone completed in 1979, with colorful stained glass running from floor to top. It stands next to the Lapa Arches.
A Carmelite convent from 1750 that gave its name to the hill and the neighborhood, right above the Arches.
Atop a rock in the North Zone, reached by a staircase of 382 steps — a traditional pilgrimage climb.
4 places
In Rio, football is serious business — and the city has some of the most historic stadiums in the world.
Built for the 1950 World Cup, stage of the “Maracanazo”, the 2014 World Cup final and Pelé’s 1,000th goal (1969). Guided tours and matches almost every week.
Here in the neighborhood: Fluminense’s stadium hosted Brazil’s first national-team match in 1914 and its first title in 1919.
Vasco da Gama’s stadium, opened in 1927. The club made history in 1924 by standing up for the Black and working-class players on its team.
On the sand, football turns into altinho (keep-it-up circles) and footvolley, a sport born in Copacabana in the 1960s.
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